Evan Ziporyn | composer EVAN ZIPORYN'S WEBSITE From concert halls to Balinese temples, from loft spaces to international festivals, composer/performer Evan Ziporyn has traveled the globe in search of new musical possibilities. His work is informed by his 28-year involvement with Balinese gamelan, which has ranged from intensive study of traditional music to the creation of a series of groundbreaking works for gamelan and western instruments. In 2004, he led his 30-member ensemble, Gamelan Galak Tika, in a triumphant debut performance in New York's Zankel Hall, hailed by the New York Times as 'an exuberant blast of metal fireworks.' This was followed in summer 2005 by a multi-city tour of Bali, where the group performed his cross-cultural works in collaboration with top Balinese gamelans and choreographers. Recent projects have included a new work for Yo-Yo Ma's Silk Road Project titled Sulvasutra, co-commissioned by Carnegie Hall, in September 2006; a concerto for bass clarinet and orchestra, Big Grenadilla, commissioned by the American Composers Orchestra with the composer as soloist.  In May 2007 he premiered two new orchestral works: one for Galak Tika and the Philadelphia Classical Orchestra, commissioned by the Pew Foundation, and one for the Boston Modern Orchestra Project, commissioned by Boston Celebrity Series.  2006 also saw the release of a collection of pieces for orchestra and wind ensemble called Frog’s Eye, “Frog’s Eye is further evidence of Ziporyn's status as a composer of increasing significance.” said All About Jazz; the composer and album were featured on NPR’s New Sounds with John Schaefer in October, and the CD ranked in year’s end Top Ten lists by the Sacramento Bee and Philadelphia City Paper.   Other recent large projects have included his acclaimed music for the American Repertory Theater's 2004 production of Oedipus Rex; new orchestral works for the Boston Modern Orchestra Project, and a new recording of chamber music, Typical Music, for New Albion Records, was November 2005. His compositions have been performed by the Kronos Quartet, Bang On A Can, Nederlands Blazer Ensemble, master p'ipaist Wu Man,Boston Modern Orchestra Project, Gamelan Sekar Jaya, Maya Beiser and Steven Schick, Arden Trio, California EAR Unit, pianists Sarah Cahill, Christopher Oldfather, and Cristina Valdes, and Orkest de Volharding. As a bass clarinetist, he has developed a distinctive set of extended techniques which he has used in his own solo works, as well as new works by Martin Bresnick, Michael Gordon, and David Lang. His 2001 solo clarinet CD, “This is not a clarinet" (Cantaloupe) received critical acclaim on NPR's All Thing's Considered, PRI's The World, and on numerous critic's top ten lists at year's end. He has been associated with the Bang On A Can Festival since its founding in 1987, appearing as composer, soloist, and ensemble leader. As a member of the Bang On A Can All-stars, he has toured over a two dozen countries and worked with composers such as Louis Andriessen, Iva Bittova, Glenn Branca, Don Byron, Alvin Curran, Nick Didkovsky, Arnold Dreyblatt, Philip Glass, Steve Martland, Meredith Monk, Thurston Moore, Kyaw Kyaw Naing, Terry Riley, Ralph Shapey, Matthew Shipp, Tan Dun, Cecil Taylor, and Henry Threadgill. In addition to writing for the group and co-producing several of their recordings, he has arranged for the group works by Brian Eno, Conlon Nancarrow, Hermeto Pascoal, and Kurt Cobain. He also regularly performs and records as a featured soloist with Steve Reich and Musicians, and shared in their 1999 Grammy for “Music for 18 Musicians”. As a conductor, he has toured Europe with Germany's acclaimed Ensemble Modern and has recorded Michael Gordon's "Weather" with Ensemble Resonanz for Nonesuch. Born in Chicago in 1959, Ziporyn received degrees from Yale University and the University of California, Berkeley, where his teachers included John Blacking, Martin Bresnick, Gerard Grisey, and David Lewin. Upon completing a Fullbright Fellowship in Indonesia, he became Musical Coordinator of San Francisco's Gamelan Sekar Jaya in 1988. He collaborated with Balinese composer I Nyoman Windha on "Kekembangan," a border-crossing work for full gamelan and saxophone quartet. Moving to Boston in 1990 to take a teaching position at the Massachusetts Institute of Technology, he founded Gamelan Galak Tika in 1993. His works for gamelan and western instruments have been released on two volumes for New World Records. As a performer and recording artist, Ziporyn has worked with a range of master musicians from numerous musical cultures, including Paul Simon (with whom he toured throughout the fall of 2000), DJ Spooky, Matthew Shipp, Balinese dalang I Wayan Wija, Burmese pat waing master Kyaw Kyaw Naing, Darius Brubeck, Nobukazu Takemura, Todd Reynolds and Ethel, Sandhile Shange and Allen Kwela, Bob Moses, Andrea Parker, Trichy Sankaran, and Tony Scott. Venues have included New York's Lincoln Center, the Sydney Opera House (for the 2000 Olympic Arts Festival), Amsterdam's Concertgebouw, London's Southbank Centre, the Bali Arts Festival, and at least a dozen other countries. As a player, he has recorded for Sony Classical, Nonesuch, Gramavision, New Albion, Cantaloupe, and Point Music. He has received grants from the Rockefeller Multi-Arts Program, Meet the Composer, the New England Foundation for the Arts, NEA/Arts International, ASCAP, the Cambridge Arts Council, and the National Endowment for the Humanities. He was the 2007 recipient of the US Artists Walker Fellowship, and the 2004 recipient of the American Academy of Arts and Letters' Goddard Lieberson Fellowship.  He is Kenan Sahin Distinguished Professor of Music at the Massachusetts Institute of Technology.   His puppet opera,  “Shadow Bang,” a collaboration with Balinese puppeteer I Wayan Wija, was released on Cantaloupe Music and along with “This is not a clarinet”, “Typical Music”, “Frog’s Eye” and his recordings with his own “Gamelan Galak Tika” further expand the composer’s recording presence.   EVAN ZIPORYN - THREE VOCAL WORKS The Ornate Zither and the Nomad Flute (audio) - 2005 - Anne Harley, soprano; Boston Modern Orchestra Project, Gil Rose conductor. A setting of poetry by Li Shangyin and W.S. Merwin. ARIA from Oedipus Rex (audio) - 2004 - I Nyoman Catra, Balinese vocalist, and chamber ensemble. A stasimon in Ancient Greek from the American Repertory Theater’s May 2004 production, as sung in traditional Balinese kawi style Production details: OEDIPUS by Sophocles, translation by Stephen Berg & Diskin Clay directed by Robert Woodruff original music composed by Evan Ziporyn May 15 - June 12, 2004 at the Loeb Drama Center Aristotle regarded Sophocles' tragedy as the masterpiece of Greek drama - an unflinching portrayal of a man's descent from self-assurance and strength to shame and isolation. Though written more than 2,500 years ago, Oedipus still holds the center of Western drama and psychology - a tautly plotted, terrifyingly swift account of human pride and vulnerability that speaks precisely to our own age.   Meditasi from Shadowbang (audio) - 2001 - Improvised vocals by I Wayan Wija. Music performed by Bang on a Can All-stars. ShadowBang is a collaborative performance featuring the electrifying Bang on a Can All-Stars and I Wayan Wija - the foremost living Balinese "dalang" (puppeteer). It is both a continuation of this timeless art form by one of the masters and a radical reinvention of it. Bang on a Can's new "wayang" - ShadowBang - brings a new musical and theatrical dimension to the art form. Replacing the traditional gamelan with the Bang on a Can All-Stars, composer Evan Ziporyn bridges Balinese and Western musical idioms to forge an entirely new sound. In place of the oil lamp, an innovative stage and lighting design reflects shadow images onto large screens in front of and behind the musicians and puppeteer. By providing multiple perspectives, the performance reveals both the process and the product of Wija's unique, master artistry, retaining the intimacy inherent in the form while placing it in a broader cultural context. The hour-long work of music, visuals and storytelling is a performance event that will forever blur the line between east and west, tradition and experimentation. Balinese shadow puppet master I Wayan Wija Music by Evan Ziporyn Performed by I Wayan Wija and the Bang on a Can All-Stars Production Design by Paul Schick About wayang kulit The wayang kulit (shadow puppet, literally "leather images") tradition is one of the oldest theatrical forms, dating back to 1200 AD, and yet it still remains one of the most popular forms of performance in Bali and Java. In its traditional form, it is both entertainment and religion, using classical texts and story lines in many languages and formats to convey everything from high moral lessons to low humor. The puppeteer sits behind a screen that is illuminated by an oil lamp, manipulating ornately carved hand-puppets and casting their shadows on the screen. Musical accompaniment is provided by a virtuoso chamber gamelan, which follows the puppeteer's every move. The music of ShadowBang is available on Cantaloupe Music.